Richard III, the current production at Shakespeare’s Globe, directed by Elle While, breathes new life into Shakespeare’s legendary play, blending tragedy and comedy in a seamless manner.
This engaging production features Michelle Terry in the role of Richard, Duke of Gloucester. Terry, who also serves as the Globe’s artistic director, delivers a performance that is both commanding and nuanced, capturing Richard’s devious charm, ruthless ambition, and unexpected humour. The decision to cast Terry, an able-bodied actor, as Richard III has sparked discussions about representation and the portrayal of disability in theatre. Terry acknowledges the importance of this role and emphasises the need for more opportunities for disabled actors.
Richard III: innovative choices, intimate atmosphere
Innovation is threaded through the casting choices and the staging of the play. A distinctive feature is its symbolic use of a trap hole, which represents death and the downfall of several characters, including Richard III. This inventive element adds a deep, contemplative layer to the play’s exploration of mortality and the fleeting nature of power.
The minimalist set design by E. Mallin Parry emphasises the actors’ performances, creating an intimate atmosphere that draws the audience closer to the action. James Maloney’s haunting musical score complements the unfolding drama, heightening the tension and emotional depth of the play. Associate Director Indiana Lown-Collins brings a fresh and contemporary perspective, enriching the production’s modern interpretation.
The costumes blend traditional and contemporary styles, reinforcing the play’s timeless relevance while infusing it with a modern sensibility. This creative decision, along with the predominantly female cast, offers a daring reimagining of the classic story.
Bold reinterpretation
The almost entirely female cast offers a bold reinterpretation of the play. This casting choice not only showcases the performers’ versatility, but also provides fresh perspectives on the characters and their interactions, challenging traditional gender roles in Shakespearean drama.
The ensemble cast includes Catrin Aaron as Hastings/Tyrell, Rosalind Blessed in multiple roles including the Executioner, Hayley Carmichael as the Duchess of York, and Sam Crerar as both Richmond and Catesby. Isabelle Chiara Dawodu, Holly-Jade Roberts and Poppy Setrem bring youthful innocence and vulnerability to their portrayals of Prince Edward and Young Richard, contrasting sharply with the play’s darker themes. Helen Schlesinger’s portrayal of Buckingham is particularly nuanced, while Katie Erich’s performance as Lady Anne, which integrates spoken English and British Sign Language (BSL), adds a unique emotional dimension.
Aaron, with her extensive experience in productions such as Hamlet and As You Like It at the Globe, brings depth to her role as Hastings/Tyrell. Blessed, known for her work with the Guildford Shakespeare Company, infuses her multiple roles with dynamic energy. Carmichael’s background with the National Theatre and Complicité enhances her portrayal of the Duchess of York. Recent LAMDA graduate Crerar continues to impress in his dual roles following his notable performance in A Midsummer’s Night Dream.
Erich’s incorporation of BSL in her portrayal of Lady Anne is especially noteworthy, adding a poignant and distinct layer to her character. Her previous notable roles include performances in Julius Caesar with the Royal Shakespeare Company and Oliver Twist at Leeds Playhouse.
Richard III at Shakespeare’s Globe Theatre is a compelling and thought-provoking production that offers new insights into Shakespeare’s work. With its strong performances, inventive direction, and minimalist design, it creates a memorable theatrical experience. The production runs until 3 August 2024, inviting audiences to enjoy a unique and dynamic interpretation of this classic play.
