• About us
  • ISSN 3049-978X
  • Authors and editors
NEWSLETTER SIGN UP
Central Bylines
Advertisement
  • News
    • Brexit
    • Education
    • Environment
    • Health
    • Transport
    • World
  • Politics
  • Opinion
  • Lifestyle
    • Food
    • Music
    • Poetry
    • Sport
  • Business
    • Economy
    • Technology
  • Region
    • East Midlands
    • West Midlands
    • A Cotswold Diary
No Result
View All Result
  • News
    • Brexit
    • Education
    • Environment
    • Health
    • Transport
    • World
  • Politics
  • Opinion
  • Lifestyle
    • Food
    • Music
    • Poetry
    • Sport
  • Business
    • Economy
    • Technology
  • Region
    • East Midlands
    • West Midlands
    • A Cotswold Diary
No Result
View All Result
Central Bylines
Home Lifestyle Theatre

Entering Club Wormhole’s alternative comedy community

Club Wormhole's Nottingham-based comedy venue provides both laughter and community

James Hardwick by James Hardwick
30-05-2025 10:22
in Theatre
Reading Time: 5 mins read
A A
Two men perform theatrically in front of a small audience, with one holding fishing nets and a mannequin leg, and the other seated in a large plastic bin with a painted face.

Image from Club Wormhole Facebook page - fair use

Share on Bluesky

Described as “alt comedy clown weirdos”, Club Wormhole sits among a whole lineup of unique comedy offerings to be found in Nottingham. Their events, each built around a different theme, promise a night of laughs and entertainment delivered by their talented group of comedians. After being recommended their events, I attended their May show to experience it for myself.

Club Wormhole meets once a month, with each show being completely different with its own unique theme. My interest was piqued by past concepts alone, such as the recent Easter-themed twist on Die Hard (aptly named ‘A Good Friday to Die Hard’) and ‘Reptiles and Rulebooks’, focusing on tabletop games. This month’s theme was ‘Wormhole Wireless Club’, an homage to 50s-era radio broadcasts presented by a pair of radio hosts and interspersed with different thematic segments. Creating a new theme each month allows the comedians to flex their creative muscles in different scenarios, proving just how much effort goes into each monthly gig.

Promotional poster for Club Wormhole and a themed comedy event at Wormhole Wireless Club.
Image from Club Wormhole Facebook page – fair use

Going down the Wormhole’s intimate setting

As for me, I had no idea what I was walking into. To be honest, the thought of attending a gig like this solo was outside my comfort zone – yet any previous assumptions were immediately left at the door upon my arrival. The venue, a corner cafe turned creative hub in Nottingham, was more open and communal than I had envisioned, with others gathered in pre-show chatter. I sat down to wait and was promptly approached by a Wormhole regular, who welcomed me in before we all moved from the front bar to our seats. We packed ourselves into a cosy room at the back of the bar, with the stage only several feet away from us, allowing the comedians to address us individually. This made for a very intimate event, where the line between audience and performer was often blurred as we became involved ourselves, which certainly made it more fun to be in the room.

Showtime – a consuming experience

The show itself began with an introduction from our hosts and guides for the evening: two wonderfully committed comedians-turned-radio-hosts, Jamie Drew and Ben Macpherson. What followed was a series of routines from other comics, including a set from Bruce Edhouse equipped with a peanut mask, a retelling of Perseus and the Medusa from Rosa Keaton (for which the audience was tasked with creating the sound effects), and a Birmingham-centered murder mystery from Mary Flanigan and Richard Dadd. Each of these sets had approached the theme differently to create an evening of wildly inventive comedy held together by a single unifying subject.

After a rendition of ‘Radio Killed the Newspaper Star’ and a group effort to get through the national anthem, a task the audience – myself included – were vastly underprepared for, the show ended with a set from its headliner Eryn Tett. Her time was the perfect bookend to the evening, highlighted by a running joke of passing a handshake across the room – an attempt quickly consumed by chaos thanks to the audience’s malicious compliance. Following a final singalong to The Proclaimers, the radio broadcast came to an end. Sitting with like-minded people celebrating what we had just witnessed, I began to understand what made a Club Wormhole gig so special.

Two men perform theatrically in front of a small audience, with one holding fishing nets and a mannequin leg, and the other seated in a large plastic bin with a painted face.
Theatre

Entering Club Wormhole’s alternative comedy community

by James Hardwick
30 May 2025

A real community of absurdity and laughter

Perhaps the most crucial aspect of the show was the audience itself. With so much interactivity invited, it would’ve fallen flat if not for everyone getting involved and embracing the absurdity. Again, the relaxed and open atmosphere was perfect, and by the end of the night we were all shaking hands like we’d known each other for longer than two hours. The fans of Club Wormhole are a community of unique individuals who have bonded over a shared sense of humour.

Ultimately, Club Wormhole felt like a big family. Getting to share the experience with such engaged and welcoming people made the whole event feel so much more fun to attend; the comedians themselves were a part of this too, supporting each other and laughing alongside us. The community created by this comedy club is at the heart of the show, and sharing an adventure with everyone in that room made it a treasured memory. They welcome anyone and everyone to join in and an unforgettably funny evening is all but guaranteed.

    Liked that article?  Buy us a coffee to say ‘thank you’
Previous Post

De Montfort University: the betrayal of jet-setting executives

Next Post

Crime Chronicles part 4: The Birmingham Boys: racetrack kings

James Hardwick

James Hardwick

James is a film graduate from Nottingham Trent University, where he left with a newfound passion for writing. Combining these two interests, he is now exploring entertainment journalism while building a portfolio for both video editing and blog writing. He's also an avid fantasy reader, gamer, and cat lover. X: https://x.com/trafftweetss

Related Posts

image by Matt Daniel-Baker. Used with permission
Theatre

In conversation with Matt Daniel-Baker part two: the man behind the magic

by Gemma Gould
25 August 2026
Image of Matt Daniel-Baker, on the left hand side of the photo is Matt Daniel-Baker with one eyebrow raised in a plaid suit pointing at the camera, on the right hand side of the image is written "Live @ The Crazy Coqs Matt Daniel-Baker The Mind Reader"
Theatre

In conversation with Matt Daniel-Baker part one: from Star Wars to mind reading

by Gemma Gould
25 August 2026 - Updated on 28 August 2026
Cinderella and the ensemble cast on stage
East Midlands

Cinderella at the Theatre Royal, Nottingham

by Graham Clark
6 December 2025
bluiding with front lit up red and in neon lettering 'Agatha Christie's The MOUSETRAP'
Theatre

The forgotten Shropshire tragedy that inspired The Mousetrap

by Jonathan Calder
25 October 2025
leopard hiding in the dark, it's head just visible
HERstory

The media and performing arts – a playground for predators

by Alice Brockway
3 September 2025 - Updated on 4 March 2026
Next Post
Man with long hair in a white shirt examines documents with a magnifying glass. A small antique bookies' odds board stands on the table in the background

Crime Chronicles part 4: The Birmingham Boys: racetrack kings

PLEASE SUPPORT OUR CROWDFUNDER

BROWSE BY TAGS

Art Back in the News Blue Plaques book review brexit Christmas Climate change Community Conservative Party Cost of living crisis Covid D-Day Dance election Energy Entertainment equality Farming Gaza General Election Green Party health history housing Human Rights immigration Johnson Labour Latest Levelling up Lib Dems mental health My Little Town nature Poetry Police pollution quiz Reform Reform UK Rwanda social media Ukraine Conflict Voting Whistleblower
Central Bylines

We are a not-for-profit citizen journalism publication. Our aim is to publish well-written, fact-based articles and opinion pieces on subjects that are of interest to people in Central England and beyond.

Central Bylines is a trading brand of Bylines Networks Limited which is separate to, but allied with, Byline Times.

Learn more about us

No Result
View All Result
  • About us
  • Authors and editors
  • Back Editions
  • Complaints
  • Donate
  • Letters
  • The Lost Opportunities List
  • Network Map
  • Network RSS Feeds
  • Submission Guidelines
  • Download the Bylines Network App

© 2020-2026 Central Bylines. Powerful Citizen Journalism. ISSN 3049-978X

No Result
View All Result
  • News
    • Brexit
    • Education
    • Environment
    • Health
    • Transport
    • World
  • Politics
  • Opinion
  • Lifestyle
    • Food
    • Music
    • Poetry
    • Sport
  • Business
    • Economy
    • Technology
  • Region
  • Authors and editors

Newsletter sign up

CROWDFUNDER

© 2020-2026 Central Bylines. Powerful Citizen Journalism. ISSN 3049-978X