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Home Lifestyle

This Writer’s life: a diary. Part 18: Gettin’ Hitched

In this eighteenth instalment of her diary, Lynda Tavakoli looks back on the day that she got married.

Lynda Tavakoli by Lynda Tavakoli
29-04-2023 08:41 - Updated on 15-05-2023 14:00
in Lifestyle
Reading Time: 5 mins read
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Closeup of wedding rings on wooden mallet at table in courtroom.

Closeup of wedding rings on wooden mallet at table in courtroom. Image by Iren Moroz licensed by Adobe Stock (JR)

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The phone rang at nine o’ clock. “Fifteen,” drawled an unfamiliar voice at the end of the line, “If you make it here in fifteen minutes, he’ll try to fit you in.”  We were there in less than ten.

‘Payne County Courthouse, Stillwater’ read the sign above the entrance, and inside men wearing Stetsons scurried about in sharp designer suits – nobody batted an eye.  This was, after all, Oklahoma, the Sooner State – cowboy country.

 “Getting’ hitched?” enquired the man at reception when we asked for directions. “Down that corridor, turn left. But you’d better make it fast, y’all.”  And off we went to get hitched wondering why, in what was probably the most laid-back state in the US, everyone should suddenly be in such an almighty hurry.   

The room was hard to miss.  Enormous brass handles and bold gold letters on the door told us that Judge Ray Lee Wall resided there and we entered a scene reminiscent of the set on Bonanza.  A shotgun hung ostentatiously over an elaborate stone fireplace, its shaft shiny and smooth from years of snuggling easily under a hunter’s armpit and as if to prove a point, several of its apparent victims, stuffed and unseeing, stared out at us from their final resting place up on the wall.  Judge Ray Lee Wall was clearly a man of some endeavour over and above his legal skills.

The delicate perfume of summer jasmine wafted through open windows to compete with harsher more consuming scents of buckskin and cigar smoke.  A clock ticked.  Typewriter keys connected to rapid fingers in the adjoining room and there, propped up in a corner looking rather lonely and out of place, was the source of all the kerfuffle – a fishing rod.  The realization that our nuptials were to be usurped by a fishing expedition was finally beginning to sink in.

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Then, like the dust that blows its way across an Oklahoma plain, the great Judge Wall himself made his entrance. At first, I was too stunned to speak.  I had half expected a gowned version of Perry Mason and instead got Indiana Jones meets Clint Eastwood. 

“Ready?” he boomed, and the ceremony began.  Witnesses were sought.  A secretary. A courthouse clerk. The two closest people available at the time.  We got hitched in five minutes flat, something of a record, we were told later. A clock was chiming the half hour as Judge Ray Lee Wall extended a hand in congratulations and grabbing his rod with the other, departed on a fishing trip he, at least, has probably long since forgotten.  

We picked up the marriage certificate and made our way back to the car park and our faithful rusty old Ford Galaxy.  My newly hitched husband started up the engine and we sputtered and heaved towards the expressway that would lead us unwittingly into the oncoming path of Hurricane Elisha.    

 But that, as they say, is another story.

This article is part of a series. Read the other posts here:

Part 1 – getting into writing

Part 2 – how I became a poet

Part 3 – garden blessings

Part 4 – cancer and me

Part 5 – thank you for the music

Part 6 – anyone for a carbonara?

Part 7 – who cares?

Part 8 – technology and me

Part 9 – dementia and my family

Part 10 – the visit to Auschwitz-Birkenau

Part 11 – the menopause

Part 12 – stuff

Part 13 – change

Part 14 – Christmas 

Part 15 – getting old

Part 16 – bazaar

Part 17 – hush-a-bye baby

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Lynda Tavakoli

Lynda Tavakoli

Lynda Tavakoli is a poet, novelist and freelance writer from Northern Ireland. She is a professional member of the Irish Writers Centre and was nominated Best of the Net 2022 for her writing in short story fiction. Lynda has facilitated the Seamus Heaney Award for schools and numerous creative writing classes for adults. ‘The Boiling Point for Jam’ (Arlen House) her debut poetry collection, has received wide acclaim for its raw honesty and authenticity.

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