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Central Bylines

This Writer’s life: a diary. Part 16: Bazaar

In this sixteenth instalment of her diary, Lynda Tavakoli looks back on a visit to a bazaar in Esfahan, Iran.

Lynda TavakolibyLynda Tavakoli
17-03-2023 07:58
in Human interest, World
Reading Time: 5 mins
A A
two exotic looking cloths in white, blue and a red border.

Cloths from the bazaar. Photo provided by author, used with permission

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The portal to Esfahan’s ancient bazaar allows respite from the Persian sun and I pause for a moment to watch my children walking together up ahead. They are curiously untroubled by the glances they attract by their paler complexions and European appearance.

“Yâllâh mâmân, zud bâsh!” calls my daughter, Farah, practising her Farsi, “Come on Mum, hurry up!” So I take my husband’s hand and like Ali Baba entering the magic cave in the mountainside, step into a 21st century treasure trove of my own.

The call for prayer echoes from distant minarets and sunlight bounces off the cobbles that lead a path through the myriad of shops. All day I’ve been searching for some special gifts for the folks back home and now I’m running out of time. There is only an hour left before we have to leave.

Just when I have almost given up, I see the answer to my prayers – a stall of intricately patterned tablecloths in every shape and hue. Perfect. This is definitely it, I think.  

A young boy appears, and sensing my interest announces in broken English, “Come see factory! Many more beautiful cloths for you there.”   

I look at my husband. “A factory?” I query silently with my eyes. How can we have time to visit somebody’s factory? But our enticer is adamant. “Very near,” he invites again. And of course, the proposition is too intriguing for us to refuse. So, we follow him through the snaked passageways until, after only a short time, he stops, and with a flourish of arms directs us through a doorway and into a small half-lit room. “Factory!” he announces with pride.

Sitting lotus-positioned in the middle of the floor is an old man. He has a wooden template strapped to his forearm and he is stamping out patterns on to a cloth with red dye. Tablecloths are piled up in hillocks around the walls – some complete, some unfinished, but all tenderly created by the one-man factory sitting cross-legged in front of us.

“How long,” I enquire, “have you been making these?” He glances up. “Shast sâl,” he says simply. 60 years. And he soothes the fabric out with loving hands and works until the pattern comes alive again beneath his touch.

 I buy a dozen or so small cloths; delighted at their discovery, yet suddenly humbled by the simple humility of one old man. As we leave, he thanks us for our custom and for honouring his humble factory with our presence. I cannot bring myself to tell him that the value of one cloth is no more than a pack of cigarettes back home.  

Outside the chatter of trade and barter continues to resonate through the labyrinth of streets, while the sun maintains its vigil in a blue Iranian sky.

With a heavy heart I gather up my precious purchases and take my leave.


This article is part of a series. Read the other posts here:

Part 1 – getting into writing

Part 2 – how I became a poet

Part 3 – garden blessings

Part 4 – cancer and me

Part 5 – thank you for the music

Part 6 – anyone for a carbonara?

Part 7 – who cares?

Part 8 – technology and me

Part 9 – dementia and my family

Part 10 – the visit to Auschwitz-Birkenau

Part 11 – the menopause

Part 12 – stuff

Part 13 – change

Part 14 – Christmas 

Part 15 – getting old

    I love Bylines!  I’ll buy you a coffee!

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Lynda Tavakoli

Lynda Tavakoli

Lynda Tavakoli is a poet, novelist and freelance writer from Northern Ireland. She is a professional member of the Irish Writers Centre and was nominated Best of the Net 2022 for her writing in short story fiction. Lynda has facilitated the Seamus Heaney Award for schools and numerous creative writing classes for adults. ‘The Boiling Point for Jam’ (Arlen House) her debut poetry collection, has received wide acclaim for its raw honesty and authenticity.

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